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Bio

A bicultural artisan, Sarah builds Western boots by hand with the passion of a New England work-ethic and her French design sensibilities. A graduate of programs in Architecture at the Rhode Island School of Design and Intensive Footwear at London College of Fashion’s Cordwainers College, Sarah’s design skills were complemented by years of training in a variety of hands-on workshops culminating in one-on-one training with Western bootmaker Jim Covington. She established the atelier Saboteuse in 2015.

Driven by creative process, Sarah intentionally combines bootmaking, art making, historical research, and public engagement to better understand relationships between knowledge and quality. Steeped in tradition, her work illustrates meticulous craftsmanship and the unique, thoughtful creativity that makes Saboteuse boots stand apart.

Sarah’s provocative bootmaking practice is but one part in a life-long body of work. With every stitch and decision, Sarah slowly builds beautiful handmade boots that tell a good story - as her clients become collaborative co-authors of this traditional American craft narrative, and her artwork critiques whose voices are heard within our footwear traditions.

ABOUT

SABOTEUSE

Sarah Madeleine T. Guerin,

Artist, Bootmaker & Scholar

Artist Statement

Over 35 complex and labor-intensive processes go into handmade footwear. I build leather Western boots by hand using traditional tools, taking over 100 hours to complete each pair. My work reflects meticulous technique, material awareness, and my creative drive to produce unique designs steeped in tradition.

Handmade Footwear straddles the worlds of art, craft, design, and apparel without any discipline claiming this extraordinarily complex set of processes. I research the globally significant footwear history of Massachusetts and relationships to our contemporary living traditions in my process-driven practice. To keep this knowledge alive, I educate different publics on footwear craft.

Fundamentally I think through making, using this iconic American craft to articulate my experiences as an authentic practice that seeks to answer the questions life presents. Leaving a deliberate footprint is my philosophical and literal goal.

My work is more than the handmade footwear and art pieces I produce, it is an active resistance to the systems in place that would have with-held technical skills due to my gender – or fed me bits of it to profit off my underpaid labor. I am a bootmaker because the making techniques specific to footwear construction are my means of communicating experience

2023

Lynn MA Cultural Grant

Shoemaking in 2022

2023

Lynn MA Cultural Grant

“Ten Footers” & Bootmaking

2023

Stoneham MA Cultural Grant

“Ten Footers” & Bootmaking

2023

Haverhill MA Cultural Grant

“Ten Footers” & Bootmaking

2023

West Newbury MA Cultural Grant

“Ten Footers” & Bootmaking

2023

Lynn MA Cultural Grant

Lynn Shoe Stories

2013

Traditional Arts Finalist Award

Mass Cultural Council (MCC)

2022

Artist’s Resource Trust Fund

Berkshire Taconic Community Foundation

2022

Puffin Foundation Grant

Puffin Foundation Ltd.

2022

West Newbury MA Cultural Grant

“Ten Footers” & Bootmaking

2022

Lynn MA Cultural Grant

“Ten Footers” & Bootmaking

2022

Georgetown MA Cultural Grant

“Ten Footers” & Bootmaking

2022

World Leather Debut

2nd Place in Boots

2021

Stoneham MA Cultural Grant

“Ten Footers” & Bootmaking

2021

Cerf+ “Get Ready” Grant

Cerf+

2021

Public Artist Learning Fund Grant

New England Foundation for the Arts

2021

Lynn MA Cultural Grant

“Ten Footers” & Bootmaking

2021

Stoneham MA Cultural Grant

“Ten Footers” & Bootmaking

2021

Georgetown MA Cultural Grant

“Ten Footers” & Bootmaking

2020

Marblehead MA Cultural Grant

“Ten Footers” & Bootmaking

2020

Artist Relief Grant

United States Artists

2020

Cerf+ Artist Safety Net Grant

Cerf+

2018

Cambridge Artist Relief Grant

Cambridge Community Foundation

2018

The Knitting Guild Assn.

1st Place Footwear Design

2018

Footwear Makers Guild Symposium

1st Place in Mens Footwear

2017

World Leather Debut

2nd Place in Cowboy Boots

2017

Awesome Foundation Grant

“Ten Footer” Zoning Project

Awards

photo credit: Casey Curry at the Piano Craft Gallery

Exhibitions

2023

New Orleans Museum of Art, LA

“Flags of our Foremothers Boots” in
Fashioning America: Grit to Glamour

2023

Center for Design and Material Culture at University of Wisconsin

5 works in “Hand Made in America: Contemporary Custom Footwear"

2022

Piano Craft Gallery Boston, MA

“CHEZ PRAS Boots” in SPEAK UP

2022

Crystal Bridges Museum of American Art

“Flags of our Foremothers Boots” in
“Fashioning America: Grit to Glamour”

2021

The Harlow Gallery Hallowell, ME

“LEAN” – sculpture in “art + gender”

2021

Marblehead Arts Association

“LEAN” -– a sculpture in
“Variations – Art in a Spectrum of Style and Substance”

2020

*Cancelled due to Pandemic

Society of Arts + Crafts Boston

photo credit: Ally Houghton Photography

Programs of Note

2023

The Dublin Seminar – Historic Deerfield

Practitioner’s Talk & Published Essay in
‘Tools & Toolmaking in New England’

2021

Mass Cultural Council Apprenticeship Program

Traditional Arts “Mentor Artist”

2020

Cicada Boston

Art at a Distance Grant

2020

*Cancelled due to Pandemic

Society of Arts + Crafts Boston

ENGAGE WITH SABOTEUSE

Schedule a lecture on Massachusetts’s footwear history, book a presentation on my work as an Artisanal Keeper of Tradition and a contemporary working artist, or arrange a live bootmaking demonstration.

STEP INTO THE TEN FOOTER WITH SABOTEUSE

Subscribe to my newsletter and see new work, learn about the history of bootmaking and receive notifications of upcoming events.

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